Maybe I’ve just gotten on some bad mailing lists, but it seems I am being bombarded by offers to get the “secret sauce” of many photographers. Promises that if I will just take and use their presets I will now have all I need to be just like them. No sweat; no learning, just buy my presets, make work just like me.
Plugins and presets can be good
I use plugins, presets, profiles, Photoshop actions, and whatever else I can use productively. There is nothing inherently wrong with any of them. They can be great productivity tools and they are getting more capable all the time.
Lightroom Classic’s latest technology allowing us to include “AI” masks in a preset – adaptive presets – that can be a great help. This is one reason a larger preset market is appearing. Including the automatic masks makes the presets more general.
Adobe includes quite a few presets and profiles in Lightroom Classic. Many of them are useful. If you include all of them in your lists you will be wading through hundreds of choices. That’s before buying sets of them from other photographers.
Maybe it’s just me, but I find too many choices overwhelming. If you are exploring a look for an image, are you really going to try out hundreds of options? Maybe once every few months just to stimulate ideas. But routinely doing that would waste lots of time.
That is why I carefully curate a small set of presets and profiles that are important to me and that I may actually use. This gets into the next topic.
If you didn’t make it, you probably won’t know when to use it
I have tried downloading a couple of sets of presets from well known photographers. What I find is that the presets represent their thinking and choice sets. They had dozens or hundreds of minor variations of some basic edits. E.g. make the sky a little more blue, make the sky even more blue, make it real blue, make the foreground a little warmer, make the foreground even more warm, etc.
But there was little there I could not do as well and faster by myself, since i know how to edit in Lightroom Classic. If I want to make the sky more blue, that is some simple, almost automatic edits that I can do in a few seconds with little thought. Doing it myself is much faster than searching through hundreds of presets someone else made and that have confusing names.
I removed all the ones I downloaded.
What I find is that if I want to repeat something fairly consistently, I make a custom preset for it. Then I can find it easily, because it is in my User Preset list and I know what I called it and why I made it. Even though it is probably duplicating what many others offer in their preset sets, I will never find theirs and I would not recognize the strange name they called it.
But if I make it, I know what it does and where to find it. Besides, the adjustments reflect my vision, not someone else’s.
Profiles
Profiles are another rich area in Lightroom Classic. They have gotten very powerful in recent releases. If I am doing a B&W conversion in Lightroom, I will usually run through a short list of my favorite B&W profiles to get a starting point.
In some ways profiles are more powerful than presets, but also more mysterious. Presets do their work by changing the normal settings we can see. It is easy to apply a preset then go look at the settings and modify them to our preferences. A profile’s work is hidden in the internals of Lightroom. You can’t really see how it did what it did.
This is a problem for me. Maybe I am too much of a control freak, but I take the responsibility for knowing how to create the image I produce. Besides, vintage photography looks and “modern” color styles are not very appealing to me. That seems to be the main application of many profiles.
Craftsmanship
I would never say we have to suffer for our art, but I do believe we have to be a good enough craftsman to be able to realize our vision. That is an argument for doing the work ourselves. This is one of the arguments against AI generated “art”. For me, there is a serious question of authorship if we are unable to create the work entirely our self.
I will capture my own image, not download something someone else shot. My image curating will be done by me. I feel I need to be able to edit and craft my work to the point of being a final image. I will also print it, to the limits of my small printer. That whole cycle is important to me. I feel it defines a lot of me as an artist.
If it actually did it, why would I want it?
But this is just looking at mechanisms and process. What is going on behind the scenes in the editor. The overarching question for me is why would I use these artist-specific presets?
Sorry, but I don’t want my work to look like yours. Perhaps I will analyze what appeals to me about some feature of your work and find out how to do some of that on my own. But I do not want a preset that says “make this image look like <_______> did it”.
How much different is using a “make it look like x did it” preset from telling ChatGPT (or one of it’s cousins) to “create a landscape image of the Grand Tetons in the style of Ansel Adams”?They are not quite the same, but too close for my comfort. I am deadly serious about wanting to follow my personal vision and do work that creatively expresses what I feel.
No, I will stumble along in my own way, taking my own path, missing out on the ease of being able to simulate various other artists. The risk is not worth the reward for me. I would feel like a fake.
Thank you for your offer to buy your presets and easily make work that looks just like yours. I will pass.
Today’s image
This is taken in a rail yard near my studio. Nothing very special (although if you look at those rails you can wonder, like I do, how a train stays on the track). Maybe it is not a very good image. But it is all mine. I am responsible for every pixel. The original image is mine and no presets or profiles or plugins were used. No attempts to imitate any other photographer’s style. Just like I want it to be.
Do you use other photographer’s presets or profiles? Let me know. I am curious. No criticism if you do, I just welcome your experience and thought process.