Ed Schlotzhauer

An artists journey

Category: Business

Ideas about the business side of art.

  • Be Different, Like Everyone Else

    Be Different, Like Everyone Else

    I hate getting cynical (even though I am), but at times it seems to me that there is little originality in the art world. It’s just a business. The gatekeepers want to put you in a box to make it more convenient for them to stereotype you and know “where you fit in”. Difference and variety are actually discouraged.

    Galleries and dealers say they are looking for fresh and creative and unique, as long as it is like all the works they already carry. Curators look for cutting edge, original work, as long as it is just like the shows they usually put together.

    This sounds like middle school, where everybody is consumed with angst and frantically seeking their individuality; trying to be themselves. Which means they are desperately trying to look and dress and act exactly like everyone else in their group. Because if they actually were themselves, the leaders in their peer group would make fun of them. How ridiculous.

    Standard advice for new artists is that you have to develop a signature style and a body of work focused on a few projects or themes. That does not work well for some of us. My themes and subjects are wide ranging. I might be doing street photography this morning and landscapes this afternoon and still lives tomorrow and composites the next day and … The forces that motivate me, helped by my borderline ADD, also prevent me from focusing all my attention on one theme or subject. I wander where my curiosity leads me and enjoy seeing what I find along the way.

    So when people ask what I do, I can really only say “I’m an artist”. If they push beyond that, well, most of my work is outdoors, all is digital, it is usually based on photography, and it is “fine art” in the sense that it is not intended as documentary or reportage. I am not representing any of my work as “truth”. I lean toward the abstract and even surreal, but I also enjoy crisp, highly detailed shots of an old barn. My work may be heavily manipulated or composited – or not. I intend for the main destination of my art to be prints.

    If I put together a portfolio for a gallery it may have an image of a church building, and an abstract view of a tree, and a wide landscape on the high plains, and a pure composited abstract, and a black and white landscape in the mountains and several other seemingly disjoint things. Their reaction is “what does this mean? what do you shoot?” I can only answer that this is my style. I am curious about a lot happening in the world around me. My style is the subject, the point of view, the way it is shot, the attitude and feeling I bring. Each one is me, my expression and my reaction to what I encounter. Purity, consistency, and following rules is not my strong suit.

    Because of my wide interests, my inventory of images is pretty large. I would be glad to pull special portfolios for a gallery or designer if they have a certain subject or genre they are looking for. But if they take the attitude that I’m not worthy of consideration unless I only do the type of projects they value, it makes me wonder who they think the artist is. They expect me to be different, like everyone else.

    So should I follow the path that calls me or do what other people expect of me? I like what Darius Foroux said: If you want to stand out from the crowd, guess what, you have to stand out from the crowd.

    Visit my web site

    To get a better idea of the range of things I value and do, please check out my web site:
    photos.schlotzcreate.com

  • Who Says?

    Who Says?

    Who are the arbiters of quality and worth in art? How did they become the gatekeepers? Why do people follow what they say? Or do they?

    Art is intensely subjective and personal. Anyone in the role of a critic can only be speaking from the viewpoint of their own likes and dislikes. Who cares? They are welcome to their opinion, but their opinion does not determine whether or not the works an artist creates are “good art”. It does not matter what their education or credentials are, they were not granted a license to be a gatekeeper. But it is a role that many want to play.

    In his excellent short book “A Beautiful Anarchy“, David duChemin has a great chapter entitle “Winning at Yoga”. He makes the point that, although humans are very competitive, that isn’t necessarily beneficial when it comes to art (or love or …). The very notion of art competitions seems as out of place as competitive yoga. If you practice yoga you are only “competing” against yourself. Likewise an artist cannot compare himself to any other standard other than his own vision and capability.

    An artist can create to win a competition or he can create to satisfy his inner vision. The first may lead to some recognition in the short term. Longer term he will probably realize that that is not his art, it is just a work product. Which is important to you depends on your values and situation. After being in that place, I have chosen to create for myself even if it does not get recognition.

    What about the gatekeepers? They can serve a valuable role, but recognize they can only tend their own garden. A gallery or a designer chooses art that generally satisfies their own opinions and values. If you find one who has curated work that you like, too, then use them. They have gone through a lot of work to sift and filter their selections. That is value. But remember, this person cannot really say what is good or bad, only what they value.

    I’m an artist. That means I have to let my creations loose into the world. Not everybody will like them. Maybe nobody will like them. They are free to criticize my work from their point of view of perfection or artistic merit. That is part of the game. I have to be able to thank them for their opinion and try to find something to learn from it. The important thing for me is whether or not I like the work and am I growing in the direction that feels right to me. I cannot let gatekeepers determine that for me. I will not settle for living someone else’s opinion of what my life should be.