Traveling

An unexpected travel shot. It came from taking the time to stop and watch and wait.

I have been traveling more than usual this year. It gives me the opportunity to reflect on what I shoot and why. Perhaps it will trigger a response in you.

This is not a typical travel photography article. You won’t find the expected rules and checklists and how-to advice.

How I travel

Travel for me is a rather solitary activity. Being an introvert, I work best alone. Having people around who want to talk about what I am doing and “help” me find pictures is almost always a negative. My wife is occasionally along on these trips, but she has learned to get out of the way and leave me alone when I am shooting. Not always, but that is the norm. I don’t want to make it sound like I push her away, it is just that she knows me enough to recognize when I am in a zone and don’t want to talk.

When I am traveling with an option of doing photography I prefer to drive or be on foot in a large city. In either case I preserve the freedom of exploring, setting my own path, managing my time. I strongly prefer to explore out of the way, seldom seen sights, even if it means missing the main tourist attractions. Actually, especially if it means missing them.

As you can tell, if I have to take a tour, especially in a bus, I feel handcuffed, in prison, doomed to follow someone else’s agenda. I may see some interesting things, but there is seldom the chance to explore something as i would like.

What am I seeking

As I learn more about myself, I realize I can never restrict myself to certain subjects. I’m afraid I will never be that guy who is known for mountain landscapes, or still lives, or seascapes. I recognize that this is a disadvantage from the sense of marketing and branding. Too bad.

Of course there are certain subjects I am naturally drawn to. I like particular kinds of landscapes. The area that might be termed wabi sabe – simply things that age and weather with character – appeals to me. It is almost a given a given that I would check these things out. A joke with my wife and some close friends is that, if we see an old rusty truck, I will want to stop and photograph it. Like most humor, it is based in truth.

But in a more general sense, I have learned that what draws me is the chance to exercise my creativity. When I see an opportunity to bring a fresh perspective or a creative treatment to a subject, I go for it. It does not matter if it is an obscure something on a back road that nobody cares about. If I can visualize it fresh and make an interesting image, that is what I want.

This is one reason I seldom hang out at the iconic viewpoints that everybody seeks. I have no interest in shooting the same image that thousands of other photographers have made. Yes, I may shoot it for my memory, but I would seldom publish a photo like that.

How I approach subjects

This is pretty nebulous. I do not have a distinct process I have written down. I’m just trying to reconstruct my thought processes.

Basically I have an imaginary dialog with the subject. “Who are you?” “What is your story?” “How would you like to be seen?” I don’t really express these things verbally or even consciously. But this is a process I think I go through.

In effect, I am making a portrait of the subject. In a good portrait, the photographer tries to get to know the subject enough to recognize the key characteristics and the underlying personality of the person. This is what I try to do, even if I am shooting an old truck.

It sounds kind of silly to write it down, but it is how I work.

Environment

There are some powerful environmental conditions I have control of that have a strong influence on the outcome and productivity of my shooting. I have learned over time to manage these things.

A powerful one is to get off the freeway. I have seldom made an interesting image alongside a freeway. Cruising down that wide road at 75 mi/hr or more tunnel vision takes over. My focus is the road ahead and cars around me. The most wonderful scene I have ever imagined could be right there next to the road and, if I noticed it at all, I would probably convince myself it was not worth pulling off and falling behind in the traffic stream.

Another is sound. I find that listening to the radio gives a focus that distracts me from creative viewing. My car radio is often off all day. If I am driving at night I may turn it on to help keep me alert, but that is the only time.

Having mild ADHD tendencies, I find I cannot ignore words, either when someone is speaking or in music. When that stimulus is occupying me I tend to ignore a lot of things going on outside. And it is easy to get in a groove and be reluctant to stop to check out possible subjects.

And having a fixed agenda works against my creativity. If it is the middle of the afternoon and I know I have 250 miles to go before I stop, it becomes too easy to judge that this thing I just saw is not worthy of stopping and putting me behind schedule. Agendas can’t always be avoided, but I try.

Gear

Photographers tend to be obsessed with gear and the technical side of the art. Who doesn’t like a great camera and a selection of excellent lenses?

Sorry to disappoint, but I find I become less interested in that with time. The key thing is what you see and what you can do, not your gear. I seem to take less gear each outing.

On a 1 week road trip I just returned from, I took one body and I only shot with 1 lens – a 24-120 f/4. I had a couple of excellent lenses with me, but never attached them. The lens I used is surprisingly good and covers the range I normally shoot in. I like to become comfortable and familiar with what I am using so that once I have visualized what I want, I just pick up the camera and it is a quick and automatic process to capture my vision.

Actually the bulkiest equipment I brought was 2 tripods and a monopod. And I didn’t use 1 of the tripods. Next time I will probably not bring it or the other lenses I had with me.

Just me

I readily say these characteristics are peculiar to me. And I am peculiar. I am in no way suggesting you should do things this way.

Over time I have learned what works for me and what I did that increased the amount of images I like. Being an introvert makes it easier for me to reflect on things like this. I like to figure things out. You need to figure out what works for you and maximize it.

We each have our own unique characteristics and strengths and weaknesses. Learning who we are and what works for us is a big step toward improving our work. And being happier along the way.

Side Trips

Medieval manor house

I love to wander, to travel slowly. Side trips are a refreshing joy to me. Let me encourage you to join in the adventure.

Wandering

I am a wanderer. It seems to be deeply ingrained in me. A good way to frustrate me is to put me in a situation with a tightly planned itinerary. It feels so scripted and limiting.

For years I resisted my wife’s pleas to go on a cruise. I knew I would not like the regimentation and fixed schedule. Reluctantly, I finally relented, but only because we would be gong with close friends. I was right. It was frustrating and I was always concerned about getting back to the ship in time. Seems like we are always leaving port just as the light was getting good for photographing on land. I don’t totally hate cruises. We have been on several now. but I have to put myself in cruise mode and accept that I am not going to be doing much photography that is interesting to me.

Some of my peak travel experiences came back when we owned a timeshare. Ours was exchanged in blocks of 1 week. They were very nice properties, but often in out of the way places. After a day or so we had “seen everything”, but we were there for a week, so then I could get down to hard core wandering. I would get the most detailed map I could find (can’t count on data service in these places) and we would head off. We encountered places we had never heard of or envisioned. Things that were not on any tourist brochures. It was a great joy.

BTW, don’t buy a timeshare now. the prices and rules have changed so much that they are not a great deal. Timeshare now is VRBO.

Excursions

This kind of wandering I described from our timeshare I would call excursions. We had a great fixed base and went off exploring on day trips. I prefer this to planning a route, packing up every day, estimating where we will get to, and trying to arrange ahead for lodging in unknown places. What can I say, I am spoiled.

I also frequently do similar excursions from home. Recently I had to take my wife to the airport for a short trip. The airport is about an hour from our house. After dropping her off, I went for an excursion in eastern Colorado. It turned out to be a 12 hour trip. No itinerary, no real goals, just the freedom to wander and explore the wilds of the plains. I loved it. I haven’t processed them fully yet, but I think I got some shots I will love long term.

Side Trips

Another example: on a family trip coming back from the southeastern part of the country, we were passing through Arkansas. We were on 2 lane highways, as I prefer, when I saw an intriguing sign talking about a marker for the Louisiana Purchase Survey. Never heard of it before. Curious, and always up for possibly interesting side trips, I turned off on a very small road that took us about 5 miles out into what became swamps! Did you know Arkansas had swamps? Neither did I.

Anyway, after the Louisiana Purchase in the early 1800’s the government devised a system for surveying the land so they could start parceling it out. Two survey teams were sent out and where they crossed was designated the”Initial Point of the first survey of the American West” . A marker stone was set there. in the middle of the swamp. Lucky for us, it is in a nice Arkansas park now with boardwalks to take us over the swamp to the survey marker.

This was a fascinating bit of history I did not know and the location was spectacular – to me, since I love swamps. We probably took over an hour seeing this bit of interest we did not know existed. A great side excursion. Sure it put us “behind” on our trip, but so what? This side trip is what I remember.

I love interesting side trips to find obscure things I did not know existed.

Exploring

Long ago I figured out that I am an explorer by nature. Not a Lewis & Clark “head out into the uncharted wilderness for years” guy. But someone who likes to discover new and interesting things. I will get out in all kinds of weather, but I don’t sleep on the ground anymore. 🙂

Exploring doesn’t require long treks in the wilderness. I explore all over my small town all the time. I am surprised that I can still find new and interesting sights. When I’m in town, almost every day I take side trips a few miles around my studio. I have done it so much that is is getting harder to see compelling new sights, but sometimes there is the thrill of discovery. Sometimes familiar things take a whole new look in different light or weather.

If I go to a new city I usually head out on the streets to get oriented and familiar with the sights and looks. Sometimes I even take a camera. Exploring is creative fun. There are always surprising new things to discover.

Don’t be in such a hurry

I know it is totally counter to the modern lifestyle and expectations, but slow down. Look around more. Find new interesting things where you thought you had seen it all. Be willing to take side trips and excursions. It is a creativity exercise that keeps your mind open to discovery.

Not all side trips pay off in great images. Probably most don’t. Even if not, there is the joy of trying and learning something new. As has been said by wiser people, “it’s not the destination, it’s the journey”. But sometimes…

This image

Today’s image is a classic “found along the way” find for me. This is in the Lake District in England. We knew roughly where it was, but, as I am prone to do, we came in from a non-normal way. Basically we came in the back door. I won’t say more because I don’t want to rental car company to know what we did. 🙂

it was a great and beautiful place and I’m glad we did the side trips and wandering necessary to see it.

Boredom

Surprise seaside cliffs in Devon England

Boredom. We’ve all been there. We get in a funk. What we usually see and shoot is distasteful to us. We are discontented. Everything has been done, there is no creativity left. Do you ever feel like this?

The time of year

This article will be published in the depths of winter. Many of us don’t think there is anything interesting to see or shoot. After all, there are no flowers or green trees or lush fields.

I would say, look again. Get out in it. Yes, out in the cold and snow if you have that. Or the rain and clouds. Whatever winter is in your area.

Forget what you want to be shooting. Look with fresh eyes at what is there. You may discover a whole new world. In the words of an old song, “if you can’t be with the one you love, love the one you’re with.” While I do not recommend this as a way of managing your relationships, it can be very useful artistically.

I actually love shooting in winter. Today I was out shooting in 70+mph winds and temperatures not much above freezing. Do I love being out in that kind of wind? Not at all. When you have to bundle up in layers of wind-tight clothes and hold your tripod to keep it from blowing over, it looses some of its charm. However, there were great opportunities out there. I have, by chance, been working on a project about wind. Today was a great opportunity to fill in some gaps in the image set.

It happens to all creatives

We all feel blocked, bored, empty at times. The “muse” is not around. We fear our best work is behind us and there is nothing to look forward to. Might as well give up.

You are not alone. We all feel this sometimes. Like temperature and climate and relationships, our mental energy is cyclic. Sometimes the spark seems to be gone. It is a low time for us.

Recognize that this is a natural part of life. Don’t be (too) discouraged. It will change. The creative energy will flood us again. Just give it time.

Use it!

But we don’t have to sit passively waiting for the creativity to return! Use this boredom to propel us to a new level.

If we are bored perhaps we have plateaued on our current path. Maybe we aren’t reaching far enough. It is a great time to reexamine where we are and how we feel about our art. And actually do something about it.

Boredom is frustrating to most of us. Use that! That is an energy and motivation. What are we lacking? Should we strike out in a new direction? What would we love to do if we had the opportunity?

Like with our body, if something hurts, that is a sign that we need to take care of it. Taking care of it doesn’t necessarily mean we should rest it and take a “oh, you poor thing” attitude. Maybe we need to work it, eat right, exercise, build it up.

The point is, the frustration of boredom can be a motivation to change our self or redirect ours thoughts or energy.

Opportunity

I have made some of the best discoveries of my life because I was bored. Really.

Let me give an example. Way back, we owned a timeshare. For those who don’t know them, it is a vacation ownership scheme that was popular at one time. Don’t buy one. It’s not a good investment. The way it worked was, you “bought” a fraction of a property, say one week during the year. Typically your ownership time would be traded for a week at another property. Because of this, we got to visit beautiful places around the world. But a side effect was that we were “planted” at a single location for the week.

This led to interesting trips. On one occasion I can think of, we were in a nice place way out in the country in Devon, England. Ten miles or more from the nearest town. It quickly got boring. As a result, we started exploring. Even though this wasn’t an area you would find featured on many tourist itineraries, the things we found were intensely interesting. We still cherish the memories.

Because of the boredom, we were led to explore with our eyes and minds open. We had to forget the expectations that were not being met and become receptive to the wonderful things that were there. Repeating this experience many times completely changed my travel style. Therefore, now I want to settle in somewhere, get to know it, and have to find out what is there.

Use boredom to your advantage

So I encourage you to let boredom be motivating. With the right attitude it can free and empower us. It can lead us to opening our eyes to our surroundings, to learning new subjects or techniques, to re-evaluating our work and making improvements, to getting out and doing something about it. Or, you can sit on the couch and feel sorry for yourself. Your choice.

The image with this article is one of many surprises we discovered on that “boring” trip to Devon I talked about above. It is a beautiful place with hidden gems all around.

The Highway – Update

General Store, Luckenbach TX

I’ve written before about shooting from the car. I enjoy driving and I do a fair amount of my image captures during car trips. My advice has been to avoid freeways or major highways when you do this. On a recent driving trip I decided to reevaluate this. To drive some freeways to see if they still have the same effect on me. Spoiler alert: the highway is a creativity killer.

Please understand that my advice here is from my personal experience modified with my personality. Even more than most of my articles. Your behavior may be completely different.

Highway anesthesia

What I had found and observed was that driving a freeway is a mind numbing and deadening experience. The miles roll by at high speed. My attention narrows to mainly the road and cars ahead of me. The goals become to get to the destination, pass that traffic in front, and don’t get a ticket.

I may pass by beautiful or interesting sights, but there is too much inertia to stop. He impetus to push on down the road was powerful. It would require something truly amazing to break into my coma and pull off, let all the traffic I passed get ahead of me, and look foolish with all the passing cars staring at me. So I seldom do it.

On the freeway, I may see something potentially interesting, but I can usually talk myself out of stopping. I can convince myself it wasn’t really great. That I will find a better view down the road. Or that it is too dangerous to stop here (maybe a valid objection).

Whatever the reason or excuse, the whine of the wheels is hard to interrupt.

A test

I just got back from a 2700 mile driving trip through parts of Colorado, New Mexico, Oklahoma, Texas, and Kansas. That is a lot of open miles. I decided to check to see if my anti-freeway prejudice still holds. To see if I can overcome the bias against stopping.

I drove over 300 miles on freeways or major divided highways. Well, I did not stop for a single picture during any of those miles. I told myself I would stop when I wanted to. I thought about it. But nothing I encountered could inject enough energy to make me do it.

In fairness, a lot of this time I was not in what would be considered pristine landscape areas. But I consider the test valid, because other times, in the same general areas, I got some interesting pictures while driving smaller roads. I believe the difference was the attitude I have when driving smaller roads.

i examined my reactions as carefully as I can and verified that driving freeways causes a different mindset. I am reluctant to stop or to go back to shoot an image. It is hard to break the rhythm, to stop. The highway is hypnotic.

A comparison

Here is a comparison of a specific subject. I drove through huge areas of wind turbines. In one case, on a back road, I stopped and took some side roads and even walked in some fields and got some interesting shots including the turbines, Another time, driving a high speed highway, I drove by a perfectly composed scene, with a single stark white turbine out in a field, with a perfect clear blue sky. The turbine was parked and it was perfectly positioned with one blade pointed straight down and the other 2 lifted in a perfect, symmetrical “Y” and directly facing me. But I drove by it. I wouldn’t bother to stop. I still kick myself about that missed opportunity.

One of the main differences was that on the back road, it was easy to interrupt the trip for promising pictures. On the freeway, even a very interesting image couldn’t convince me to stop.

Another subjective comparison: there are people I know who would pay $1000 to avoid driving across Kansas. I can understand that. But a partial solution is to get off I-70 and take back roads. When I do this I am much happier and I usually come back with some decent pictures.

Why?

I wish I could give a definitive explanation of the root cause of this. If I could, I might be honored as a respected psychologist. But I’m not and I can’t.

I have theories, though, based on my on reactions and introspection. Remember, anything I say here is unscientific and may only apply to me.

I believe the way I travel sets a context, a framework of perception and decision making. On the freeway there is the implicit goal of making progress. Getting to the destination as soon as possible. Minimize stops or interruptions. I’m in a rhythm and I don’t want to break it.

Driving down the freeway and seeing a picture causes a conflict. Now 2 sets of goals are in opposition: speed vs. interrupting the trip for something that actually slows things down. The conflicting goals have to be weighed and balanced. But even if I decide the scene was worth stopping for, the moment is gone. I’m a mile down the road and it would take miles of driving to backtrack to it. And it is much easier to justify that it probably wasn’t worth it and let the momentum carry me down the road.

On a small back road, though, the pace is slower, the traffic is light, and I have put myself in a position of committing to looking for images instead of covering as many miles as possible. Traveling this way also seems to keep me more alert. I am more actively engaged with my surroundings and paying attention, not only to the road, but to everything around. There is a constant background thread of playing with compositions in my mind as I drive by them. It is very educational.

My travel style

My preferred travel style is to only plan on making 300-400 miles a day at most. I avoid nearly all freeways and large divided highways. I then give myself permission to stop whenever something interests me and even to turn off for side trips according to my whim. Unlike the typical male, I will even turn around and go back when a light bulb goes off and I recognize I have passed an interesting scene.

As an extreme example on this trip, we got from Colorado to New Mexico via back roads – well hardly what you would call roads and you would be hard put to find them on a map. My Jeep was caked with mud and I left it on during the rest of the trip as kind of a badge of honor. But we saw very interesting things and I got some good images.

My wife knows, on a driving trip, to bring lots of books and magazines to read while we are stopped. I am very fortunate to be able to create this environment for myself. It would not work for everyone. As a matter of fact, most would probably hate it.

For fun, the image with this article is from back roads in the Texas hill country. It is the old General Store in Luckenbach (yes, that one). Not my normal style, but it was fun.

Slow down

My recommendation is to slow down and give yourself permission to stop for anything interesting. I fully realize this will not work for everyone. But have you tried it? If you are on vacation, can you take an extra day or 2 for your art? What do you have better to do?

I have practiced this on most driving trips for years and I can completely recommend it. Your mileage may vary. It is a very personal choice.

Heartland – Spring, Redux

Kansas cliffs, heartland surprise.

Three weeks ago I wrote an article about reasons I don’t like spring. I thought I should update it and discuss my progression of getting comfortable with spring artistically. It happened via a driving trip through some of the heartland of America.

Heartland

You know, the flyover country. The middle section of the US that most of you have not been through, or at least, haven’t paid attention to. Most people try to avoid this area. There are long distances to drive and seemingly little to see. Unless you learn to appreciate what is there.

I just got back from driving over 2000 miles without getting on a freeway at all. That was by choice. I love back roads and little towns. I believe driving on a freeway is a type of narcotic. Your senses blur and you get tunnel vision just looking at the road ahead. You become desensitized to the view or the geography or great scenes. And if you have expended effort to pass some slow trucks or campers you certainly can’t entertain the notion of stopping to take a picture. They would get ahead of you again.

So I was making my way through eastern Colorado and Nebraska and Kansas and Ohlahoma. Like I said, most people would pay to fly to avoid these areas. Not me. I would pay more to drive it. A lot of it, not all of it, is very good country.

This is true rural America. Not in a fake dude ranch type of tourist trap, but a land of farmers and ranchers. Hardworking people who earn an honest living and feed most of the rest of us in the process. Generally they are good people.

Great year for it

A few weeks ago I wrote a post talking about it being hard for me to get into spring. Coincidentally, this has been one of the prettiest springs in years. Where I live and most of the area I drove through had near record moisture this spring. Everything is exceptionally green. The grass and hay and crops are tall and healthy. The trees are very green and full.

It became hard for me to not be seduced by the look of this year.

Going for this long trip forced me to be immersed in it. I was there, I wanted to make good pictures, so I began to loosen up and find interesting subjects and compositions. I gave myself permission to stop whenever I wanted to look at things. Pretty soon I found myself liking more and more. Subjects became more frequent.

Some of these things required miles of driving down dirt roads, even 2-track lanes. But there were usually rewards of things I have never seen of even imagined were there. Would you guess the image at the top of this blog is from Kansas? Even if you’ve been through Kansas 100 times, I bet you haven’t seen this.

So now I feel I am fully “into” spring. I see it’s beauty and don’t currently waste my time and creativity longing for fall and winter. I am completely in the moment

Wide open spaces

This trip also steeped me in one of my favorite themes, wide open spaces. I saw a lot of them. There is something both compelling and a little frightening to me about a view with only the road and the horizon in the distance. It draws me to it while repelling me a little.

There are occasional weathered abandoned houses and barns that add to the bleak beauty. I love composing these into scenes that portray the vast distances or bounty of crops.

In a lot of these areas I just park my car in the middle of the road while I’m taking pictures. And I’m talking about setting up my tripod, composing perhaps several shots, maybe shooting HDR brackets or several long exposures to capture motion of the grass. Only 2 or 3 pickup trucks seem to come by a day, so I almost never inconvenience the locals.

Jump into summer

To be honest, this trip almost jumped me over spring into summer too quickly. I talked about the extraordinary moisture that made the vegetation very lush. But in the course of the trip we were hit with an abnormal heat wave that made things seems more like summer.

In some parts of the trip the temperature was 108F. Add a 30-40 mph dry wind and conditions were not fun. That is good for showing the dynamics of the grass or wheat rippling furiously, but not pleasant to be out in.

Amazing country

I have made this journey before. I have family at the destination, so it was not just a random selection. Each time I go I try to take a different route, always avoiding freeways.

Like almost every time I make it, I come back with a renewed love for this heartland area and the people there. It is a good place. Good country. It makes me feel better about America.

At one point I stood at the exact geographic center of the contiguous 48 states. The point where a map of the 48 states would balance exactly. I couldn’t help thinking that I hope America can stay balanced. Revisiting the heartland would help.