No, I’m not addressing the existential “or not to be” question. I was triggered by reading questions from photographers about planning photo trips. There were lots of concerns about locations and what lenses to take and time of day or even time of year, but it seems to me they are missing a fundamental point. You are an artist. You are going out to be, to create, to be inspired. Collecting a stack of the same standard pictures everyone else takes is not the goal.
Being the same
I have written on this before. I hope you believe your task as an artist is to create new work, your own work, not imitate what has already been done. Yes, Yosemite is full of iconic locations. If I was there I’m sure I would shoot at some of them. The difference is these shots would be just for me, to remember being there. I would not be shooting for my portfolio unless I encountered exceptional and unique circumstances at one of these overshot scenes.
I see a lot of photographers actively planning trips to these locations to intentionally try to duplicate these iconic shots. It makes no sense to me. If that is what you like, have fun. Each of us is motivated by different things. But if you were starting out as a writer would you write a knock-off of Moby Dick just so you could have a copy of it you could say you made? I hope not. Write your own book.
Maybe you don’t really know who you are as an artist yet. I understand. I’m still trying to figure it out for myself. I decided long ago, though, that imitating other people will not help me create my own work.
If you are not going to imitate other work then you are put in a potentially scary place: you have to create on your own. But what if I can’t? What if I’m not really creative? Maybe I don’t have anything to say? These are all normal and valid concerns.
You will never know until you try. And guess what, when you try you will probably fail. How’s that for encouragement?
I want it to be encouraging, though. When you start doing anything new you are not good at it at first until you try and fail and practice – a lot. As a matter of fact, if it is too easy you are either not challenging yourself enough or you have picked something that will not keep your interest for long. If it is too easy it becomes boring.
Let go and start doing your own art. Follow your own vision, not someone else’s. Don’t visit all the iconic locations to recreate someone else’s art. Focus on your own ideas.
Sometimes you will be left high and dry creatively. That’s OK and normal. Push on. Don’t fear that. Use that time to start understanding what interests you. Believe that you have a creative voice. Keep digging and you will find it.
Put yourself in a different place
One strategy I like to use is to intentionally ignore the popular, iconic locations. I like to seek out little known things that most people have never seen. I love the challenge of finding something in nothing.
I’m lucky in that from my house I can be in the Colorado mountains in 30 minutes or far out on the eastern plains in less than an hour. I go to these places a lot and enjoy them immensely.
But I also wrote recently about driving through the heartland and finding interesting things to photograph. That takes a special discipline and mindset. It is fun for me after long practice. I have come to firmly believe there are interesting scenes almost anywhere.
This brings up a special point. There are interesting scenes all around. You don’t have to go to mountains or national parks or famous locations to do your art. You don’t have to take off for 2 weeks to travel to exotic locations. Beauty and interest is everywhere. Most of it is ignored by everyone around you. Learning to see what is there is a skill that can be learned.
Learn to be open to what is there around you. Accept it and embrace it as creative possibility. What can you do with it? Just “be”.
You have seen people who thinks selfies or family shots mean lining everyone up in front of a location and giving big fake smiles for the camera. I’m not criticizing them because that makes them happy. I want to encourage you not to try to manage your shots like that. Accept what is there and work with it. Use your creativity to isolate it, to make it interesting for other people, to point out this interesting thing they probably didn’t see.
A photographer friend wrote this in a private newsletter:
“To just be. That is what it is all about. When I find a high place with views all around, every sense just soaks it up into my pores. It is subtle; the opposite of the raucous and titillating world in which we normally live. … These sounds mean vast open spaces and pure freedom. I can peer into this space, keeping my gaze wide. At first I see the far-off trees and rocks and snowfields. Each thing has meaning. …
But after a while my gaze becomes soft, and I focus on the air between myself and the distant ridges. Everything becomes a soft palette of shape and color, devoid of meaning or expectation. The world just is. My experience of sound, sight, and senses just are. If I look for myself I fail. I literally can’t see “me” without a mirror – not my face or head, the features we most often associate with identity. It’s times like these that I can look for myself and just see the beautiful world. It is in this place where I can be exactly what I was designed to be. Just me. And for a brief moment, I am a bird sweeping into the storm.”
When we can learn to experience places or events in this manner we can just be and flow with them and into them. Even if it happened on a walk in our neighborhood. The experience becomes part of us and we reflect it back out in our work. What we produce is something from deep within. It is honest. It may even surprise us.